STUDIES<\/p>\n
2009 – PhD, Australian National University, Centre for New Media Art.
\n1999 – Australian Network for Art and Technology Summer School.
\n1991\/92 – MFA, University of NSW College of Fine Art.
\n1984\/85 – Graduate Diploma, Sydney College of the Arts.
\n1981\/83 – BA, Sydney College of the Arts, Sydney University.<\/p>\n
PROFESSIONAL ACTIVITIES<\/p>\n
Synthesiser performance, December 2017, Signal Zirkus, Kramladen, Vienna.
\nSynthesiser performance, November 2017, New Joerg, Vienna.
\n\u201cI destroy, I destroy, I destroy\u201d Sound performance with Ingrid Seier of Wittgenstein\u2019s musical fragment, at The Wittgenstein Haus, Vienna. 2016.
\nAAANZ Conference Dec 20016 [paper entitled \u201cRe-staging: the work that art does\u201d].
\nVisiting Fellow, Australian National University, 2010.
\nCo-founder\/director (with Simon Barney) of SOUTH gallery, Sydney, 1998\/00.
\nLecturer, University of Western Sydney (Nepean) and University of NSW College of Fine Art, 1991\/98.
\nVisiting lecturer, Canberra School of Art, 1992.
\nLecturer, Sydney College of the Arts, 1985\/86.<\/p>\n
AWARDS<\/p>\n
2008 Visual Arts and Craft Fund of the Australia Council (Project funding).
\n2007 ArtsACT (Project funding).
\n2001 Bundeskanzleramt – Kunstsektion, Vienna, Austria, Studio residency.
\n2001 Australian Network for Art and Technology (Conference and Workshop Fund).
\n2001 Times Up, Linz, Austria, Anchortronic Studio residency.
\n1999 NSW Ministry for the Arts (Travel grant).
\n1999 Artspace, Sydney. Studio residency.
\n1998 Visual Arts and Craft Fund of the Australia Council (Project funding).
\n1995 Visual Arts and Craft Board of the Australia Council (Project funding).
\n1990 Visual Arts and Craft Board of the Australia Council (Project funding).
\n1987 Chameleon Contemporary Art Space, Hobart. Studio residency.
\n1985 Visual Arts Board of the Australia Council (Project funding).<\/p>\n
COLLECTIONS<\/p>\n
Artbank.
\nAlbury Regional Art Centre.
\nArt Gallery of New South Wales.
\nAustralian National Gallery.
\nGriffith University, Qld.
\nNational Gallery of Victoria.<\/p>\n
PUBLISHING<\/p>\n
2010 Phantom Limbic: notes on process<\/em>. TEXT Journal of writing and writing courses Vol 14,#2. SOLO AND COLLABORATIVE EXHIBITIONS<\/p>\n 2018 Jarvis Dooney Gallerie, Berlin. SELECTED GROUP EXHIBITIONS<\/p>\n 2015 Stills Gallery, Sydney. Bookmarked<\/em>. BIBLIOGRAPHY<\/p>\n Lesley Chow, Naturalism08<\/em>, Photofile, No 85, Dec 08 – Mar 09. STUDIES 2009 – PhD, Australian National University, Centre for New Media Art. 1999 – Australian Network for Art and Technology Summer School. 1991\/92 – MFA, University of NSW College of Fine Art. 1984\/85 – Graduate Diploma, Sydney College of the Arts. 1981\/83 – BA, Sydney College of the Arts, Sydney University. PROFESSIONAL ACTIVITIES Synthesiser performance,… Read More<\/i><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/haresbreath.com\/index.php\/wp-json\/wp\/v2\/pages\/69"}],"collection":[{"href":"https:\/\/haresbreath.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/haresbreath.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/haresbreath.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haresbreath.com\/index.php\/wp-json\/wp\/v2\/comments?post=69"}],"version-history":[{"count":7,"href":"https:\/\/haresbreath.com\/index.php\/wp-json\/wp\/v2\/pages\/69\/revisions"}],"predecessor-version":[{"id":858,"href":"https:\/\/haresbreath.com\/index.php\/wp-json\/wp\/v2\/pages\/69\/revisions\/858"}],"wp:attachment":[{"href":"https:\/\/haresbreath.com\/index.php\/wp-json\/wp\/v2\/media?parent=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n2003 Anchortronic<\/em> (DVD, Time’s Up\/Staalplaat collaboration).
\n2000 Four Slow Girls<\/em> (audio mini CD).
\n1999 Transits<\/em> (audio compact disk).
\n1997 Gentle Hour Unsung<\/em> (audio compact disk).
\n1996 Awaiting Room<\/em> (audio compact disk).
\n1994 Slanting<\/em> (artist’s book, ISBN 0 646-17646-3).
\n99\/03 (http:\/\/www.haresbreath.com) But, four n rooms, the remains of lionel love.<\/em><\/p>\n
\n2012 RussianTea Room Gallery, Paris. Search and Rectify.<\/em>
\n2010 School of Art Gallery, Canberra. myContrivance<\/em>.
\n2009 School of Art Gallery, Canberra. liminalTransitions<\/em>.
\n2008 Stills Gallery, Sydney. Naturalism08<\/em>.
\n2008 Canberra Contemporary Art Space, resonantSites<\/em>.
\n2007 Stills Gallery, Sydney. Searches for Road, Chris, Fog<\/em>.
\n2004 Tin Sheds Gallery, Sydney. fujiSummitResonator<\/em>.
\n2002 64 Grundsteingasse, Vienna. Garden<\/em> (with T. Latzel-Ochoa, K. Struber, U.Witzany).
\n2001 64 Grundsteingasse, Vienna. Hundezone<\/em> (with Katharina Struber).
\n1997 Elizabeth Bay House, Sydney. Untitled, in Artists in the House<\/em>, curated by Michael Goldberg.
\n1997 Artspace, Sydney. Grave of My Own Undressing<\/em>.
\n1997 ACCA, Melbourne. Gentle Hour Unsung<\/em> and Kid Glove Treatment<\/em>.
\n1996 CBD Gallery, Sydney. Awaiting Room<\/em>.
\n1996 Watch This Space, Alice Springs. The Kings New Dress<\/em> (with Anita Fricek).
\n1996 Particle, Sydney. Band Width (with Martin Sims & Deborah Vaughan).
\n1994 Australian Centre for Photography, Sydney. Kid Glove Treatment<\/em>.
\n1994 CBD Gallery, Sydney. Straight<\/em> (with Anne Ooms).
\n1993 Artspace, Sydney. Untitled installation.
\n1993 Canberra Contemporary Art Space, ACT. Untitled installation.
\n1993 The Performance Space, Sydney. Between Three Sites<\/em>.
\n1993 Selenium Gallery, Sydney. Between Three Sites<\/em>.
\n1993 First Draft (West), Sydney. Between Three Sites<\/em>.
\n1992 First Draft (West), Sydney. Untitled installation.
\n1992 The Foundry, Sydney. Untitled installation.
\n1991 Linden Gallery, Melbourne. Untitled.
\n1991 Victorian Centre for Photography, Melbourne. Untitled series 1990<\/em>.
\n1990 Artspace, Sydney. (Chris Fortescue, Margaret Roberts, Wendy Howard).
\n1990 First Draft (West), Sydney. Redivider<\/em> (with Anne Ooms).
\n1988 338 Pitt Street, Sydney. Untitled series 1988<\/em>.
\n1988 Chameleon Contemporary Art Space, Hobart. Quintet<\/em>.
\n1987 Chameleon Contemporary Art Space, Hobart. The Third Place <\/em>(with Anne Ooms).
\n1987 Australian Centre for Photography, Sydney. Pupil of the Eye<\/em>.
\n1986 First Draft, Sydney. Seeing Double<\/em> (with Robyn Backen).
\n1984 The Performance Space, Sydney. Untitled.<\/p>\n
\n2007 ACT Craft and Design Centre, Canberra, Settings.
\n2003 Galerie 54, Gothenburg, Sweden, Touchdown.
\n2003 Plug and Play, 16\/03\/03, London. Anchortronic presentation.
\n2003 Hiri Musikak, 08\/03\/03, San Sebastian. Anchortronic presentation.
\n2002 Kapu, 20\/12\/02, Linz. Anchortronic presentation.
\n2002 Steirischer Herbst, 24\/11\/02, Graz. Anchortronic presentation.
\n2001 Time’s Up Laboratories, 27\/12\/01, Linz. Anchortronic presentation.
\n2001 Stop.Spot! 27\/10\/01, Linz. Anchortronic presentation.
\n2001 Kampnagel K3, Hamburg. Sunburn<\/em> (http:\/\/www.haresbreath.com\/sunburn).
\n2000 Akademie der bildenden K\u00fcnst, Vienna. Sydney!Vienna<\/em> (http:\/\/www.thing.at\/sydneyvienna).
\n1996 Test Strip, Auckland. Vertical Hole<\/em>.
\n1996 Australian Centre for Contemporary Art, Melbourne. Object of Existence<\/em>.
\n1994 Centre for Contemporary Photography, Melbourne. Ipso Photo<\/em>.
\n1994 Annandale Galleries, Sydney. Bet Your Life Too<\/em>.
\n1992 Museum of Contemporary Art, Sydney. Signals.<\/em>
\n1992 Darwin Contemporary Art Space.
\n1991 Art Gallery of NSW. Contemporary Colour<\/em>.
\n1991 National Gallery of Victoria. A Constructed Reality<\/em>.
\n1986 Art Gallery of New South Wales. In Full View<\/em>.<\/p>\n
\nChris Gardener, interview online, December 1999 (http:\/\/www.haresbreath.com\/fortescue\/gardner.html).
\nJacqueline Milner, catalogue essay, Grave of My Own Undressing<\/em>. Artspace, April 1997.
\nAnita Fricek, catalogue essay, Gentle Hour Unsung<\/em>. ACCA, March 1997.
\nJohn Forbes, Slanting<\/em>. Agenda #36, May 1994.
\nSimon Barney, Daffy Duck\u2019s End Game<\/em>. Agenda #35, March 1994.
\nGraham Forsyth, Between 3 Sites<\/em>. Art and Text #47, January 1994.
\nAbby Mellick, catalogue essay. Artspace, 1993.
\nAnne Ooms, Shopping and Solitude<\/em>, catalogue essay. Foundry, 1992.
\nStuart Koop, Recognition<\/em>. Agenda #20-21, 1991.
\nFrazer Ward, Eyeline #7, December 1988.
\nDavid McDowell, Quintet<\/em>. Photofile, Winter 1988.
\nAnne McDonald, Pupil of the Eye<\/em>. Photofile, Winter 1987.
\nPaola Talbot, Seeing Double<\/em>. Photofile, Autumn 1987.
\nDavid Broker, Looking Behind the Surface<\/em>. Artlink Vol 7#1, 1987.
\nMartyn Jolly, catalogue essay, In Full View<\/em>. Art Gallery of New South Wales, 1986.<\/p>\n","protected":false},"excerpt":{"rendered":"